Pictures from the Weinweg (Wine Road)
Photos:
Neustadt 4#002
Weinweg 4#011
Weinweg 4#012
Weinweg 4#013
Photos:
Neustadt 4#002
Weinweg 4#011
Weinweg 4#012
Weinweg 4#013
Friday, June 6, 2008
Another Month in Heidelberg, Part 8 (Mannheim & Wine Road)
Today I drive to Mannheim to look around. I leave the car in the big garage under the Haupltbahnhof, ride trams and take pictures; there’s a street fair going on; with live music, lots of bars and stalls, with hordes of people and I enjoy that! Later take a tram to Marktplatz for an early dinner at the same French café. It was still hot and muggy and eventually it started to rain very hard. I was under the awning and finished dinner without getting wet. The rain lets up for a bit so I catch the next tram to the station, pick up my car and head home; then it starts to rain ‘cats and dogs’ with lots of lightning. I drive home very carefully. According to the newspaper, the Mannheinner Stadtfeste (the city fair) had 280,000 visitors over three days!
Today, Saturday, is Heidelberg’s Lange Nacht des Einkaufens (Long Night of Shopping), when the downtown shops will stay open till midnight. In the afternoon I take the bus downtown and check it out. There are lots and lots of people; but as my buddy John Marshall (who I worked with in Washington DC 40 years ago) would say, “Don’t count the people, count the shopping bags.”
After a ‘Campari and orange', my now favorite drink at my now favorite bar I go to the concert at the cathedral. It’s early Renaissance music, written in the 1500s and 1600s and played by three women on a viola de Gamba and two early wood flutes. This is not my favorite music and at intermission I leave.
On Sunday, June 1, I explore the Weinweg (Wine Road) I drive through Mannheim, cross the Rheine at Ludwigshaven and to Neustadt; where I follow the Weinweg south through tiny old wine villages surrounded by vineyards as far as the eye can see. I take lots of pictures and do not stop even once at the many wineries offering tasting! The weather is hot and humid so I drove home via Landau and Karlsruhe. Later, when the weather has cooled, I drive into Heidelberg, stop for dinner at the café at the Hauptbahnhof and attend the cello concert at the Stadthalle (City Concert Hall). This is something quite different! The concert is by students from the Staatliche Hochschule fur Musik und Darstellende Kunst, Mannheim. (State University of Music and Performing Arts) this is where Germany gets its talent. Students aged from 19 to 21 play cello sonatas and duets with enormous skill and precision. There are about 30 people in the hall including parents, teachers and fellow students. The hall is a beautiful semi-circular Baroque room with gold ceiling, walls with large frescos of old battle scenes and gold and red plush seats. The students play very complicated sounding scores without notes; one of them appears to be playing two different tunes simultaneously. Afterwards I speak with a couple of the students, one is 19 from Heilbronn, still in high school with five years to go at the university; another from Mannheim is 21. After the concert I drive to a section of town where I have never been before, near Police Headquarters and have an ice-cream and walnut sundae for dessert.
Photos:
Water tower, Mannheim 3A#032
Street fair, Mannheim 3A#038
New bridge, Ludwigshafen 4#001
Mannheim cello student 4A#023
Today, Saturday, is Heidelberg’s Lange Nacht des Einkaufens (Long Night of Shopping), when the downtown shops will stay open till midnight. In the afternoon I take the bus downtown and check it out. There are lots and lots of people; but as my buddy John Marshall (who I worked with in Washington DC 40 years ago) would say, “Don’t count the people, count the shopping bags.”
After a ‘Campari and orange', my now favorite drink at my now favorite bar I go to the concert at the cathedral. It’s early Renaissance music, written in the 1500s and 1600s and played by three women on a viola de Gamba and two early wood flutes. This is not my favorite music and at intermission I leave.
On Sunday, June 1, I explore the Weinweg (Wine Road) I drive through Mannheim, cross the Rheine at Ludwigshaven and to Neustadt; where I follow the Weinweg south through tiny old wine villages surrounded by vineyards as far as the eye can see. I take lots of pictures and do not stop even once at the many wineries offering tasting! The weather is hot and humid so I drove home via Landau and Karlsruhe. Later, when the weather has cooled, I drive into Heidelberg, stop for dinner at the café at the Hauptbahnhof and attend the cello concert at the Stadthalle (City Concert Hall). This is something quite different! The concert is by students from the Staatliche Hochschule fur Musik und Darstellende Kunst, Mannheim. (State University of Music and Performing Arts) this is where Germany gets its talent. Students aged from 19 to 21 play cello sonatas and duets with enormous skill and precision. There are about 30 people in the hall including parents, teachers and fellow students. The hall is a beautiful semi-circular Baroque room with gold ceiling, walls with large frescos of old battle scenes and gold and red plush seats. The students play very complicated sounding scores without notes; one of them appears to be playing two different tunes simultaneously. Afterwards I speak with a couple of the students, one is 19 from Heilbronn, still in high school with five years to go at the university; another from Mannheim is 21. After the concert I drive to a section of town where I have never been before, near Police Headquarters and have an ice-cream and walnut sundae for dessert.
Photos:
Water tower, Mannheim 3A#032
Street fair, Mannheim 3A#038
New bridge, Ludwigshafen 4#001
Mannheim cello student 4A#023
Another Month in Heidelberg, Part 7 (Liederabend)
In this week’s two classes Manuela and I read the newspaper and talk about La Bohéme. Over the past few days the weather has been very hot and muggy – schwule, with an umlaut means stuffy or muggy; schwule without an umlaut means gay!
In the early evening I drive to Rohrbach, about 10 minutes on the way to Heidelberg to look around. It’s a pretty little old town that is now a suburb of Heidelberg; at one time it had a major Jewish presence and a synagogue. Now there is only a recently erected monument to the former Jews of Rohrbach. I have a lovely dinner at ‘Roter Ochsen’ (Red Ox), Rindermedaillons und Schpaetzel (Beef medallions) in a fresh mushroom sauce with a salad and half-liter draft beer for €17 or $25.
On Wednesday I take the bus back to Rohrbach for a haircut. Previously I had seen “The Barber Shop” so walk in. There’s only one barber and I’m the only customer. The young barber tells me that the shop belongs to his newly married brother, who has taken the day off. The young barber introduces himself as “Kawa” originally from Northern Iraq and for the past 10 years a barber at Patrick Henry Village, the US Army base. That’s when I should have gotten out of the chair and left! I do not leave and he gives me a real military haircut. He trims my eyebrows and wants to shave off the beard; I say a loud “Nein” but the haircut is definitely very short!
In the evening I go to a ‘Liederabend’ (evening of songs) at the Stadtische Buhne (City Theater) the concert is a sheer delight. Maraile Lichdi one of the leading sopranos of the Heidelberg Opera (and Electra in the Idomeneo, that I saw) performs a program of songs by various composers based on the poems of Friedrich Schiller, the famous German poet and writer. Lichdi has a beautiful full voice; she’s accompanied by a woman pianist and sings the entire program without notes or score. There are Shubert songs, a group by Hugo Wolf and a collection of modern lieder by Pfitzner, Ullman and Reutter; I have never heard modern lieder before! And later check ‘German Wikipedia’ and find that:
In the early evening I drive to Rohrbach, about 10 minutes on the way to Heidelberg to look around. It’s a pretty little old town that is now a suburb of Heidelberg; at one time it had a major Jewish presence and a synagogue. Now there is only a recently erected monument to the former Jews of Rohrbach. I have a lovely dinner at ‘Roter Ochsen’ (Red Ox), Rindermedaillons und Schpaetzel (Beef medallions) in a fresh mushroom sauce with a salad and half-liter draft beer for €17 or $25.
On Wednesday I take the bus back to Rohrbach for a haircut. Previously I had seen “The Barber Shop” so walk in. There’s only one barber and I’m the only customer. The young barber tells me that the shop belongs to his newly married brother, who has taken the day off. The young barber introduces himself as “Kawa” originally from Northern Iraq and for the past 10 years a barber at Patrick Henry Village, the US Army base. That’s when I should have gotten out of the chair and left! I do not leave and he gives me a real military haircut. He trims my eyebrows and wants to shave off the beard; I say a loud “Nein” but the haircut is definitely very short!
In the evening I go to a ‘Liederabend’ (evening of songs) at the Stadtische Buhne (City Theater) the concert is a sheer delight. Maraile Lichdi one of the leading sopranos of the Heidelberg Opera (and Electra in the Idomeneo, that I saw) performs a program of songs by various composers based on the poems of Friedrich Schiller, the famous German poet and writer. Lichdi has a beautiful full voice; she’s accompanied by a woman pianist and sings the entire program without notes or score. There are Shubert songs, a group by Hugo Wolf and a collection of modern lieder by Pfitzner, Ullman and Reutter; I have never heard modern lieder before! And later check ‘German Wikipedia’ and find that:
Hans Erich Pfitzner 1869 – 1949 was born in Moscow, died in Salzburg and
taught master-classes in Berlin and Munich, later Vienna and Salzburg; composed operas and other works.
Viktor Ullman, contemporary Czech composer, born 1896; deported in 1942 to Theresienstadt, wrote piano sonatas, string quartets and songs.
Hermann Reutter 1900 – 1985, born and died in Stuttgart; studied composition, piano, organ and songs at Munich. Composed several operas including “Die Brucke von San Luis Rey” based on the 1927 novel by Thornton Wilder.
taught master-classes in Berlin and Munich, later Vienna and Salzburg; composed operas and other works.
Viktor Ullman, contemporary Czech composer, born 1896; deported in 1942 to Theresienstadt, wrote piano sonatas, string quartets and songs.
Hermann Reutter 1900 – 1985, born and died in Stuttgart; studied composition, piano, organ and songs at Munich. Composed several operas including “Die Brucke von San Luis Rey” based on the 1927 novel by Thornton Wilder.
The theater is less than half full, however the audience is very enthusiastic and the diva sings two encores ending very appropriately with the lullaby “Gute Nacht.”
Yesterday’s newspaper carries an article about the new Berlin memorial “Denkmal fur Homosexuelle” (Memorial to the Homosexuals) recently opened to memorialize the discrimination against gays during Nazi times; the memorial cost about €600,00 or almost one million dollars and is located in the vicinity of the Memorial to the Murdered Jews of Europe. There is also an article about Prime Minister Angela Merkel opening an exhibition at Berlin’s Schoenefeld airport about the Berlin Airlift of June 1948 to May 1949. Today’s newspaper, which Manuela and I read together, has an article about “Kinder von Zamoec” a group of 20 Holocaust survivors from Poland brought to Heidelberg by Caritasverband, Heidelberg and Das Max-Kolbe-Werk, two organizations dealing with Holocaust education. The group met with the Hauptburgermeister and spoke at local schools.
As I said before – not a day goes by without a newspaper article or TV program about the Holocaust. Manuela also talks about a German film “Leroy” with Gunter Kaufman, concerning a young German black kid falling in love with a very blond German girl, daughter of a family of neo-Nazi skinheads.
Later I arrange with Kasia, the Academy Housing Officer to look at one of the apartments at Rohrbacherstrasse16. The Academy leases 3 or 4 apartments in this building, then rents out individual rooms at €620 per four weeks with a small kitchen and tiny bathroom for communal use. The individual room I look at is very small with Salvation Army furniture. I don’t think that I would be very comfortable or happy here!
The hot weather continues, 32 C and 18 at night, corresponding to 90 and 65; and very humid. I decide against the chamber-music concert by the Trio Parnassus and “Bunbury – Ernst des Lebens” (Importance of Being Ernest) by Oscar Wilde at the Staadliche Buhne!
Photos:
Rohrbach monument to its former Jews 3#044
Rohrbacherstrasse16, Heidelberg 4#041
Heidelberg 4#025
Heidelberg 4#031
Yesterday’s newspaper carries an article about the new Berlin memorial “Denkmal fur Homosexuelle” (Memorial to the Homosexuals) recently opened to memorialize the discrimination against gays during Nazi times; the memorial cost about €600,00 or almost one million dollars and is located in the vicinity of the Memorial to the Murdered Jews of Europe. There is also an article about Prime Minister Angela Merkel opening an exhibition at Berlin’s Schoenefeld airport about the Berlin Airlift of June 1948 to May 1949. Today’s newspaper, which Manuela and I read together, has an article about “Kinder von Zamoec” a group of 20 Holocaust survivors from Poland brought to Heidelberg by Caritasverband, Heidelberg and Das Max-Kolbe-Werk, two organizations dealing with Holocaust education. The group met with the Hauptburgermeister and spoke at local schools.
As I said before – not a day goes by without a newspaper article or TV program about the Holocaust. Manuela also talks about a German film “Leroy” with Gunter Kaufman, concerning a young German black kid falling in love with a very blond German girl, daughter of a family of neo-Nazi skinheads.
Later I arrange with Kasia, the Academy Housing Officer to look at one of the apartments at Rohrbacherstrasse16. The Academy leases 3 or 4 apartments in this building, then rents out individual rooms at €620 per four weeks with a small kitchen and tiny bathroom for communal use. The individual room I look at is very small with Salvation Army furniture. I don’t think that I would be very comfortable or happy here!
The hot weather continues, 32 C and 18 at night, corresponding to 90 and 65; and very humid. I decide against the chamber-music concert by the Trio Parnassus and “Bunbury – Ernst des Lebens” (Importance of Being Ernest) by Oscar Wilde at the Staadliche Buhne!
Photos:
Rohrbach monument to its former Jews 3#044
Rohrbacherstrasse16, Heidelberg 4#041
Heidelberg 4#025
Heidelberg 4#031
Another Month in Heidelberg, Part 6 (La Bohéme)
Today is a religious holiday; however, even as a good Catholic Manuela could not tell me what Fronleichnam was. With the help of Wikipedia, it’s Corpus Christi. Manuela invited me to a big parade featuring pictures made of flower petals at her local church in Handschuhsheim.
Note: Corpus Christi is a Catholic feast in honor of the Holy Eucharist; it is customary, after Mass, to hold processions, often outdoors, with the Host followed by Benediction of the Blessed Sacrament.
On Saturday I go to the opera again, to see “La Bohéme ” at the Staatliche Buhne (City Theater) Before the performance there is another lecture about the production, which, I find fascinating. Afterwards I ask the lecturer (in English) about the current trend of doing operas in modern dress. He replies that it costs much less, since period costumes and scenery are very expensive; also it allows for more up-to-date interpretations. “Idomeneo” was in modern dress, the upcoming ‘Eugene Onegin” is modern, as is tonight’s “La Bohéme.” My fourth row center seat is €31 or about $50; the San Francisco opera is at least four times that!
The action of this “La Bohéme” starts before the music begins. The curtain is up as the audience comes in, and while the orchestra tunes and before the conductor takes the stand, the four bohemians are rearranging furniture, watching TV and one is taking a nap! There is no overture, once the music starts the singers sing. The four young singers are wearing Jeans and Rodolfo is stripped to the waist. Mimi enters and asks for a light; not for her candle but for her cigarette! Act 2 takes place in a shopping center and the Café Momus is a take-out food stand. The singers are young with terrific voices that soar and fill the theater. In acts 3 and 4 the Bohemians have grown older and successful, they look back on their previous life with nostalgia. Mimi is sung by a 34 year old Russian with the voice of an angel and dies, stage front center as the curtain falls. The full-house audience is ecstatic, they clap in unison and won’t let the cast leave!
Yesterday the roof of the Berlin Philharmonic caught fire and much to her consternation Pamela Rosenberg, late of the San Francisco Opera, had to cancel all concerts for the next week!
This Sunday is a day to do things Jewish! In the morning I drive into town and go on a walking tour of Jewish Heidelberg. About 20 or 30 people meet at Alta Synagoge Platz (Old Synagogue Place) and listen to a historian from the City of Heidelberg talk about the Jewish history of the city. The good professor tells us that there have been Jews in Heidelberg since 1275 and this Platz is actually the site of Heidelberg’s third synagogue, which was destroyed on Kristallnacht. We then move to Heumarkt, the old hay market and the building on the corner was the first Jewish and Kosher hotel in Heidelberg. Next stop along Unter Strasse (Under Street) being the first street below Hauptstrasse (Main Street) and the building on the corner of Dreikonigstrasse (Street of the Three Kings) was the former home of one of the town’s leading Jewish merchants and a few houses away was another much older synagogue of which nothing remains. I don’t think that the Professor mentions that Heidelberg was the first city in Germany to declare itself Judenrein (clear of Jews) in 1938!
In the afternoon I hear a recital by Druschba-Cheverut, a Jewish-Ukrainian men’s chorus from Munich at the Heidelberg Jewish Community Center next to the new synagogue. They sing “O Sey Shalom”, several Russian songs and a selection from “Fiddler on the Roof”. Most of the audience is Russian and Ukrainian and are very enthusiastic. The Master of Ceremonies tells us that the combined age of the chorus is 1,400 years! I also get a chance to look at the sanctuary; it’s orthodox with a bema (desk for reading the Torah) in the center and the women’s section is upstairs in the balcony.
Photos:
Tour of Jewish Heidelberg 3#047
First Jewish Hotel in Heidelberg 3#056
Dreikonigstrasse, Heidelberg 3#049
Jewish-Ukrainian men’s chorus 3#057
Note: Corpus Christi is a Catholic feast in honor of the Holy Eucharist; it is customary, after Mass, to hold processions, often outdoors, with the Host followed by Benediction of the Blessed Sacrament.
On Saturday I go to the opera again, to see “La Bohéme ” at the Staatliche Buhne (City Theater) Before the performance there is another lecture about the production, which, I find fascinating. Afterwards I ask the lecturer (in English) about the current trend of doing operas in modern dress. He replies that it costs much less, since period costumes and scenery are very expensive; also it allows for more up-to-date interpretations. “Idomeneo” was in modern dress, the upcoming ‘Eugene Onegin” is modern, as is tonight’s “La Bohéme.” My fourth row center seat is €31 or about $50; the San Francisco opera is at least four times that!
The action of this “La Bohéme” starts before the music begins. The curtain is up as the audience comes in, and while the orchestra tunes and before the conductor takes the stand, the four bohemians are rearranging furniture, watching TV and one is taking a nap! There is no overture, once the music starts the singers sing. The four young singers are wearing Jeans and Rodolfo is stripped to the waist. Mimi enters and asks for a light; not for her candle but for her cigarette! Act 2 takes place in a shopping center and the Café Momus is a take-out food stand. The singers are young with terrific voices that soar and fill the theater. In acts 3 and 4 the Bohemians have grown older and successful, they look back on their previous life with nostalgia. Mimi is sung by a 34 year old Russian with the voice of an angel and dies, stage front center as the curtain falls. The full-house audience is ecstatic, they clap in unison and won’t let the cast leave!
Yesterday the roof of the Berlin Philharmonic caught fire and much to her consternation Pamela Rosenberg, late of the San Francisco Opera, had to cancel all concerts for the next week!
This Sunday is a day to do things Jewish! In the morning I drive into town and go on a walking tour of Jewish Heidelberg. About 20 or 30 people meet at Alta Synagoge Platz (Old Synagogue Place) and listen to a historian from the City of Heidelberg talk about the Jewish history of the city. The good professor tells us that there have been Jews in Heidelberg since 1275 and this Platz is actually the site of Heidelberg’s third synagogue, which was destroyed on Kristallnacht. We then move to Heumarkt, the old hay market and the building on the corner was the first Jewish and Kosher hotel in Heidelberg. Next stop along Unter Strasse (Under Street) being the first street below Hauptstrasse (Main Street) and the building on the corner of Dreikonigstrasse (Street of the Three Kings) was the former home of one of the town’s leading Jewish merchants and a few houses away was another much older synagogue of which nothing remains. I don’t think that the Professor mentions that Heidelberg was the first city in Germany to declare itself Judenrein (clear of Jews) in 1938!
In the afternoon I hear a recital by Druschba-Cheverut, a Jewish-Ukrainian men’s chorus from Munich at the Heidelberg Jewish Community Center next to the new synagogue. They sing “O Sey Shalom”, several Russian songs and a selection from “Fiddler on the Roof”. Most of the audience is Russian and Ukrainian and are very enthusiastic. The Master of Ceremonies tells us that the combined age of the chorus is 1,400 years! I also get a chance to look at the sanctuary; it’s orthodox with a bema (desk for reading the Torah) in the center and the women’s section is upstairs in the balcony.
Photos:
Tour of Jewish Heidelberg 3#047
First Jewish Hotel in Heidelberg 3#056
Dreikonigstrasse, Heidelberg 3#049
Jewish-Ukrainian men’s chorus 3#057
Monday, June 2, 2008
Another Month in Heidelberg, Part 5 (Early Modern History)
On Monday I see Herr Kuehne, the guesthouse manager and tell him how much I enjoyed Speyer because I remembered he lives there. He tells me that the cost of housing is lower than in Heidelberg and the weather better. He also thinks “the people are more friendly because they are happier”, a very interesting concept; I don’t think that the people of the Napa Valley are either happier or friendlier! Spent much of the rest of the day having the outside mirror replaced on my VW Golf, which was demolished a few nights ago when someone sideswiped my car. I drive to the VW dealer, Bernhardt Volkswagen Zentrum, Heidelberg on Hebelstrasse close to the railway station and Yalcin Sezar the Serviceberator (Service Advisor) spends almost as long making sure that they have the proper parts in stock and completing the paper work as the mechanic spends installing it. The dealership is huge, taking up the equivalent of a city block with many salespeople, service people and other personnel. The estimate is €130 and it will take an hour. I catch a #33 bus at the stop outside the door and spend a couple of hours riding around the town. At Piccadilly, the local English shop I buy “Shakespeare” by Bill Bryson as a paperback for €13 and have a bite of lunch. Back at the dealer, the car is ready and the total bill €115.43 or about $170; I believe considerably less than in the States. In the evening, on TV, I watch a German dubbed B & W movie with Frances MacDermond (the woman from ‘Fargo’) and the guy from ‘Sopranos’. It’s probably an early Cohn brother’s movie, which takes place in Santa Rosa and Sacramento.
Tuesday in class; Manuela and I spend most of the time on the German synopsis of Frau Ohne Shatten in the program. The story is very obtuse, the language obscure and we both have a terrible time getting it straight. I also get some help from Wikipedia.
At the next class Manuela brings in a couple of different local newspapers, which she had used in one of her other classes. We look through ‘BILD’, a tabloid similar to the English ‘Daily Mirror’, which has a nude picture on the lower half of the front page, every day. Manuela says this paper is not delivered to homes and can only be bought at newsstands; it costs €. 60, while the ‘Rhein-Neckar-Zeitung’ that I buy almost everyday costs €1.10.
In the evening I go to a lecture sponsored by the ‘Hochschule fur Judische Studien’; it’s as esoteric as they come! Dean Philip Bell, visiting professor from ‘Spertus Institute of Jewish Studies’ in Chicago is speaking on “Early Modern Jewish and Christian Relations in Central Europe: The Context of Environmental History”; luckily he speaks in English. Philip Bell is the author of several books on Early Modern Jewish subjects including “Sacred Communities, Jewish and Christian Identities in 15th Century Germany” and “Jews in the Early Modern World” published 2008 by Rowman & Littlefield. I know that you all will want to get your own copies of these! The early modern period of Jewish history is from 1400 to 1700.
Oh, I also get a parking ticket for €15, my first one. I show it to the desk clerk at the hotel and she explains that I fill it in with my bank account details and the bank pays it direct. Since I don’t have an account here, I go to the local bank pay them cash plus €2 service charge and they pay the ticket – clever!
Photos:
Professor Philip Bell 3#041
Heidelberg 3#003
Heidelberg 3#027
Bicycles at Hauptbahnhof 3#043
Tuesday in class; Manuela and I spend most of the time on the German synopsis of Frau Ohne Shatten in the program. The story is very obtuse, the language obscure and we both have a terrible time getting it straight. I also get some help from Wikipedia.
At the next class Manuela brings in a couple of different local newspapers, which she had used in one of her other classes. We look through ‘BILD’, a tabloid similar to the English ‘Daily Mirror’, which has a nude picture on the lower half of the front page, every day. Manuela says this paper is not delivered to homes and can only be bought at newsstands; it costs €. 60, while the ‘Rhein-Neckar-Zeitung’ that I buy almost everyday costs €1.10.
In the evening I go to a lecture sponsored by the ‘Hochschule fur Judische Studien’; it’s as esoteric as they come! Dean Philip Bell, visiting professor from ‘Spertus Institute of Jewish Studies’ in Chicago is speaking on “Early Modern Jewish and Christian Relations in Central Europe: The Context of Environmental History”; luckily he speaks in English. Philip Bell is the author of several books on Early Modern Jewish subjects including “Sacred Communities, Jewish and Christian Identities in 15th Century Germany” and “Jews in the Early Modern World” published 2008 by Rowman & Littlefield. I know that you all will want to get your own copies of these! The early modern period of Jewish history is from 1400 to 1700.
Oh, I also get a parking ticket for €15, my first one. I show it to the desk clerk at the hotel and she explains that I fill it in with my bank account details and the bank pays it direct. Since I don’t have an account here, I go to the local bank pay them cash plus €2 service charge and they pay the ticket – clever!
Photos:
Professor Philip Bell 3#041
Heidelberg 3#003
Heidelberg 3#027
Bicycles at Hauptbahnhof 3#043
Another Month in Heidelberg, Part 4 (Frau ohne Shatten)
On Sunday I decide to drive to Mannheim to look around and maybe go to the opera. I have no trouble finding Mannheim (about 45 minutes) and the Hauptbahnhof in the center of town and park in the underground garage. I ride several different trams around the city taking pictures of Paradeplatz (the center of downtown), a beautiful new pedestrian bridge across the Necker River at Collini Center and Marktplatz, where I have a late lunch/early dinner at a very French outdoor café. I find the National Theater and Opera House and buy a fourth row center ticket (€46 or $65) for Frau ohne Shatten (The Woman without a Shadow) by Richard Strauss; another opera that I have never seen before. A woman without a shadow is one that cannot have children and this opera story is even more convoluted than most. The hall is huge with very steeply raked seats (stadium seating?) no center aisle, no balcony and almost sold out. This production is not modern, it’s ultra modern and the orchestra is big. The huge stage has an enormous turntable in the center, the middle of which is in about four pieces that go up and down and tilt independently, a stage director’s dream or nightmare. The music is wonderful, sometimes atonal and sometimes it reminds me of Rosenkavalier and the Strauss four last songs, my very favorite piece of music. The singing is fabulous with four main female singers; one in a long shimmering silver wig looks spectacular and has an even more spectacular voice. The libretto is by Hugo von Hofmannsthal and in this production, a character on stage. The program notes, dialogue and super-titles are all in German and do not help in my understanding of the story.
The story involves two married couples the Emperor and Empress and Barak, the dyer and his wife. The Empress who is not human: she was caught by the Emperor in the form of a gazelle; assumed human shape and he married her, but she has no shadow symbolizing her inability to bear children. The Empress has a nurse and a messenger arrives from the underworld telling the Nurse that if the Empress does not obtain a shadow within three days, she will be forcibly returned to the underworld and the Emperor will be turned to stone. The Emperor leaves to go on a three-day hunting trip seeking his favorite falcon. The Nurse, who is steeped in magic, suggests finding a woman who will sell her shadow. Now pay attention, because questions will be asked! Barak, the dyer lives in a hut with his wife and three brothers: one is one-eyed, one has only one arm and the third has no legs and gets around on a little wheeled thing. I am not making this up! The Empress and Nurse come to see Barak and his wife and promise her luxuries in exchange for her shadow. Barak’s wife agrees to deny her husband for three days during which the Empress and Nurse, in disguise, will live in the hut with them. The Empress, as a servant helps Barak leave for work and is troubled by what she’s doing. The Nurse conjures up a couple of handsome young men in order to tempt the wife. On stage the youths are in silver body-paint from the waist up and wearing moon-boots! The wife gives up her shadow and when, in the light of morning the dyer sees this, he moves to strike her with a sword that magically appears in his hand. Whereupon, the Empress and Nurse leave on a magic boat. In the last act the Wife, haunted by the voices of unborn children states her love for Barak, who regrets his violence. The Messenger from the underworld condemns the Nurse to wander the earth and the Empress finds her husband almost turned to stone. The dyer and his wife are heard singing off stage and the Empress decides she cannot take away their future happiness. This renunciation gives her a shadow and restores the Emperor to life. The opera ends with both couples singing of their happiness and their unborn children. Today, this opera is considered by many to be Strauss's finest work in the genre, although less frequently produced than some of the others
Photos:
Paradeplatz, Mannheim 3A#009
Pedestrian bridge, Mannheim 3A#017
Marktplatz, Mannheim 3A#020
Nationaltheater, Mannheim 3A#023
The story involves two married couples the Emperor and Empress and Barak, the dyer and his wife. The Empress who is not human: she was caught by the Emperor in the form of a gazelle; assumed human shape and he married her, but she has no shadow symbolizing her inability to bear children. The Empress has a nurse and a messenger arrives from the underworld telling the Nurse that if the Empress does not obtain a shadow within three days, she will be forcibly returned to the underworld and the Emperor will be turned to stone. The Emperor leaves to go on a three-day hunting trip seeking his favorite falcon. The Nurse, who is steeped in magic, suggests finding a woman who will sell her shadow. Now pay attention, because questions will be asked! Barak, the dyer lives in a hut with his wife and three brothers: one is one-eyed, one has only one arm and the third has no legs and gets around on a little wheeled thing. I am not making this up! The Empress and Nurse come to see Barak and his wife and promise her luxuries in exchange for her shadow. Barak’s wife agrees to deny her husband for three days during which the Empress and Nurse, in disguise, will live in the hut with them. The Empress, as a servant helps Barak leave for work and is troubled by what she’s doing. The Nurse conjures up a couple of handsome young men in order to tempt the wife. On stage the youths are in silver body-paint from the waist up and wearing moon-boots! The wife gives up her shadow and when, in the light of morning the dyer sees this, he moves to strike her with a sword that magically appears in his hand. Whereupon, the Empress and Nurse leave on a magic boat. In the last act the Wife, haunted by the voices of unborn children states her love for Barak, who regrets his violence. The Messenger from the underworld condemns the Nurse to wander the earth and the Empress finds her husband almost turned to stone. The dyer and his wife are heard singing off stage and the Empress decides she cannot take away their future happiness. This renunciation gives her a shadow and restores the Emperor to life. The opera ends with both couples singing of their happiness and their unborn children. Today, this opera is considered by many to be Strauss's finest work in the genre, although less frequently produced than some of the others
Photos:
Paradeplatz, Mannheim 3A#009
Pedestrian bridge, Mannheim 3A#017
Marktplatz, Mannheim 3A#020
Nationaltheater, Mannheim 3A#023
Another Month in Heidelberg, Part 3 (Idomeneo)
On Tuesday I went to see “Idomeneo” at the Stadtische Buehne (City Theater), which is fabulous. First there’s a pre-show introduction by the Director, which even in German is helpful. This is Mozart’s first mature opera and was written when he was 25 and living in (close by) Mannheim attempting to obtain a position with the court. Mannheim at that time was one of the major music centers of Europe. The first performance was in 1781 in Munich.
The story is very complicated involving Idomeneo, King of Crete returning after 10 years at the Trojan War with captives including Ilia, a Trojan princess that he is in love with. Now, he also has a wife (Electra, daughter of Agamemnon, the Greek king) and a son, Idamente and the son is also in love with the Trojan princess. A mixed Romeo and Juliet story with Oedipus thrown in! In a huge storm on his way home from Troy, Idomeneo is saved by Neptune and Idomeneo makes a vow to sacrifice to Neptune the first human he sees, when he gets to dry land; it’s of course, his son Idamante, who he does not recognize because its been 10 years! The production is in totally modern dress. The Trojan princess wears a simple evening gown, Idomeneo, a beat-up old army coat and Idamante, the son is played by a woman! Of course the German super-titles do not help much; however the story is not as important as the music and the music is lovely. The singers are fabulous; Idamante, the son is sung by Jana Kurucova, a 25 year old Czech mezzo-soprano with a beautiful, very strong voice. Idomeneo is Winfred Mikus, a German tenor, who has sung in Berlin and the USA. There seems to be an abundance of young, good-looking opera singers in Germany; some German, some foreign-born and mostly trained in Germany. The scenery is very modern, the first and last acts take place in a bombed-out cellar or construction site with lots or ropes; there’s a chorus of 20 and the harpsichordist is on stage. The theater is a small jewel-box with completely up-to-date equipment; the entire pit is on a lift and for the first and last acts the orchestra is level with the audience and the singers appear from among the orchestra!
Saturday evening I go to the Deutsch-Amerikanisches Institut on Adenaurplatz in Heidelberg for a reading by Annie Proulx. The reading is very interesting; evidently part of a seminar on American literature being held in Heidelberg, cosponsored by the American Embassy in Berlin in part to celebrate the opening of the new embassy building. She’s introduced by the American Culture attaché, himself an interesting man being, as he tells us, German born and a US citizen. Annie Proulx is terrific; she reads most of one of her fabulous short stories that was in the New Yorker a couple of weeks ago. Her touch for the American west and the voices of the cowboys is amazing. Afterwards she answers many questions about where she lives; in Wyoming and it was snowing just a few days ago. She also talks about her writing style and methods and how she had to convince Ang Lee, director of “Brokeback Mountain” to retain the cowboy dialog; Lee wanted to use “New York TV announcer” speech! The reading is in a very large room, filled to capacity with students, expats and other English speakers. There is a real ‘Ugly American’ sitting behind me with a loud, ugly American voice; a professor of English at the University of Heidelberg teaching English and English literature. She spends the half-hour while we’re waiting regaling her friends and neighbors about how poorly she is integrated into the German community, that she has no German friends, all her friends are Americans, Brits and other native English speakers and she, her husband and three children have been in Heidelberg for more than 10 years! By-the-way on Wednesday the Deutsch-Amerikanisches Institut has an English lesson for children aged between 3 and 5. I believe this is for the kids of over-achievers only!
Annie Proulx, pronounced PRU; born 1935, wrote “Shipping News” (Pulitzer Prize) and “Brokeback Mountain” as a short story. (Wikipedia)
Photos:
Deutsch-Amerikanisches Institut, Heidelberg 3#070
Adenaurplatz, Heidelberg 3#072
With Karl-Heinz Rippel, Director of ‘F & U Academy’ 3#061
The story is very complicated involving Idomeneo, King of Crete returning after 10 years at the Trojan War with captives including Ilia, a Trojan princess that he is in love with. Now, he also has a wife (Electra, daughter of Agamemnon, the Greek king) and a son, Idamente and the son is also in love with the Trojan princess. A mixed Romeo and Juliet story with Oedipus thrown in! In a huge storm on his way home from Troy, Idomeneo is saved by Neptune and Idomeneo makes a vow to sacrifice to Neptune the first human he sees, when he gets to dry land; it’s of course, his son Idamante, who he does not recognize because its been 10 years! The production is in totally modern dress. The Trojan princess wears a simple evening gown, Idomeneo, a beat-up old army coat and Idamante, the son is played by a woman! Of course the German super-titles do not help much; however the story is not as important as the music and the music is lovely. The singers are fabulous; Idamante, the son is sung by Jana Kurucova, a 25 year old Czech mezzo-soprano with a beautiful, very strong voice. Idomeneo is Winfred Mikus, a German tenor, who has sung in Berlin and the USA. There seems to be an abundance of young, good-looking opera singers in Germany; some German, some foreign-born and mostly trained in Germany. The scenery is very modern, the first and last acts take place in a bombed-out cellar or construction site with lots or ropes; there’s a chorus of 20 and the harpsichordist is on stage. The theater is a small jewel-box with completely up-to-date equipment; the entire pit is on a lift and for the first and last acts the orchestra is level with the audience and the singers appear from among the orchestra!
Saturday evening I go to the Deutsch-Amerikanisches Institut on Adenaurplatz in Heidelberg for a reading by Annie Proulx. The reading is very interesting; evidently part of a seminar on American literature being held in Heidelberg, cosponsored by the American Embassy in Berlin in part to celebrate the opening of the new embassy building. She’s introduced by the American Culture attaché, himself an interesting man being, as he tells us, German born and a US citizen. Annie Proulx is terrific; she reads most of one of her fabulous short stories that was in the New Yorker a couple of weeks ago. Her touch for the American west and the voices of the cowboys is amazing. Afterwards she answers many questions about where she lives; in Wyoming and it was snowing just a few days ago. She also talks about her writing style and methods and how she had to convince Ang Lee, director of “Brokeback Mountain” to retain the cowboy dialog; Lee wanted to use “New York TV announcer” speech! The reading is in a very large room, filled to capacity with students, expats and other English speakers. There is a real ‘Ugly American’ sitting behind me with a loud, ugly American voice; a professor of English at the University of Heidelberg teaching English and English literature. She spends the half-hour while we’re waiting regaling her friends and neighbors about how poorly she is integrated into the German community, that she has no German friends, all her friends are Americans, Brits and other native English speakers and she, her husband and three children have been in Heidelberg for more than 10 years! By-the-way on Wednesday the Deutsch-Amerikanisches Institut has an English lesson for children aged between 3 and 5. I believe this is for the kids of over-achievers only!
Annie Proulx, pronounced PRU; born 1935, wrote “Shipping News” (Pulitzer Prize) and “Brokeback Mountain” as a short story. (Wikipedia)
Photos:
Deutsch-Amerikanisches Institut, Heidelberg 3#070
Adenaurplatz, Heidelberg 3#072
With Karl-Heinz Rippel, Director of ‘F & U Academy’ 3#061
Subscribe to:
Posts (Atom)